在 2016 年至 2017 年間的替代兵役期間的救護經歷成為了發展這一系列藝術實踐的觸發點。
基於這樣的背景，我開始處理關於體形意象(Body Image)及其經驗生產的問題。這是關於我們如何從當前基於數據的社會中來想像未來的體形意象的問題。在這個系列中，我將那些存在於科技凝視身體下所揭露的視界（共享數位平台上的病理數據）解構為對未來身體圖像的未知想像，在本研究中通過創建一系列的類數位圖像與數位沉積物來實踐對未來體形意象的想像，一系列未來的化石 (fossil)與圖鑑，有關那些來自數據世界下的液態的身份。
我將我的實踐視為一系列基於科學經驗和信息下對身體和身份的感性想像。我將其係列中的每一個元素和圖像投射到遙遠的未來，這是對身份解體的未來想像，它產生了對未來生物學、身份、甚至人類經驗的文化想像。非敘事的後技術未來環境：在沒有敘事的社會中，當生物數據成為未來社會運作的軸心時，身體及其形象的變形會是什麼樣子？
我不認為這是對科技的烏托邦或反烏托邦的簡單想像，而是對科技的敘述和定義的一種文化提問。這是後人類的曖昧身體的投射，一種來自於被揭示的身體的真誠性的體現。這是一種對環境和我們自己身體的文化想像，我們（人類）在現在和不久的將來，通過想像一個極端的未來來回應。
My paramedic experience during the subsitute military service between 2016 and 2017 is the trigger for developing this series of art practice, The Ways to Dive into the Galaxy.
Basing on this experience's inspiration, I started to dealing with the question about body images and its production. It is about the question of how can we imagine the body image of the futre from our current data based society. In this series, I deconstructed the written and de-structured the depicted experience (pathological data on the co-shared digital platform) under the gaze of technology into an unknown imagination on future body images, which practice in this study by creating quasi-digital imagery depictions (an imaginary depiction of future bodies in the digital age), a series of fossils of the future, the sediments from the liquid identities and bodies.
I see my practice as a series of perceptual imaginations of the body and identity rooted in the context of digital technology and information based on scientific rationality. I project each element and image in its series in a distant future, this is a future imagination on identity dissolution that produces science as biology, with identity, and even as human experience. An environment of a non-narrative post-technological future: in a time when biological data becomes the axis of future social operation in a society that without narratives, what will the deformation of the body and its image look like?
I don't think is a simple imagination from the utopia or dystopia of technology, but rather a kind of cultural question on the narrative and definition of technology. It is an indeterminate narrative of the posthuman body and its gazing into its vacuum status, an embodiment of sincerity that comes from the revealed body. It is a cultural imagining of the environment and our own bodies that we (humans) take care of in the present and near future by imagining an extreme future.
此系列部分創作由台北市政府文化局、國家文化藝術基金會贊助
Sponsership: Department of Cultural Affairs, Taipei City and National Culture and Arts Foundation
基於這樣的背景，我開始處理關於體形意象(Body Image)及其經驗生產的問題。這是關於我們如何從當前基於數據的社會中來想像未來的體形意象的問題。在這個系列中，我將那些存在於科技凝視身體下所揭露的視界（共享數位平台上的病理數據）解構為對未來身體圖像的未知想像，在本研究中通過創建一系列的類數位圖像與數位沉積物來實踐對未來體形意象的想像，一系列未來的化石 (fossil)與圖鑑，有關那些來自數據世界下的液態的身份。
我將我的實踐視為一系列基於科學經驗和信息下對身體和身份的感性想像。我將其係列中的每一個元素和圖像投射到遙遠的未來，這是對身份解體的未來想像，它產生了對未來生物學、身份、甚至人類經驗的文化想像。非敘事的後技術未來環境：在沒有敘事的社會中，當生物數據成為未來社會運作的軸心時，身體及其形象的變形會是什麼樣子？
我不認為這是對科技的烏托邦或反烏托邦的簡單想像，而是對科技的敘述和定義的一種文化提問。這是後人類的曖昧身體的投射，一種來自於被揭示的身體的真誠性的體現。這是一種對環境和我們自己身體的文化想像，我們（人類）在現在和不久的將來，通過想像一個極端的未來來回應。
My paramedic experience during the subsitute military service between 2016 and 2017 is the trigger for developing this series of art practice, The Ways to Dive into the Galaxy.
Basing on this experience's inspiration, I started to dealing with the question about body images and its production. It is about the question of how can we imagine the body image of the futre from our current data based society. In this series, I deconstructed the written and de-structured the depicted experience (pathological data on the co-shared digital platform) under the gaze of technology into an unknown imagination on future body images, which practice in this study by creating quasi-digital imagery depictions (an imaginary depiction of future bodies in the digital age), a series of fossils of the future, the sediments from the liquid identities and bodies.
I see my practice as a series of perceptual imaginations of the body and identity rooted in the context of digital technology and information based on scientific rationality. I project each element and image in its series in a distant future, this is a future imagination on identity dissolution that produces science as biology, with identity, and even as human experience. An environment of a non-narrative post-technological future: in a time when biological data becomes the axis of future social operation in a society that without narratives, what will the deformation of the body and its image look like?
I don't think is a simple imagination from the utopia or dystopia of technology, but rather a kind of cultural question on the narrative and definition of technology. It is an indeterminate narrative of the posthuman body and its gazing into its vacuum status, an embodiment of sincerity that comes from the revealed body. It is a cultural imagining of the environment and our own bodies that we (humans) take care of in the present and near future by imagining an extreme future.
此系列部分創作由台北市政府文化局、國家文化藝術基金會贊助
Sponsership: Department of Cultural Affairs, Taipei City and National Culture and Arts Foundation